Writing is not like painting where you add. It is not what you put on the canvas that the reader sees. Writing is more like a sculpture where you remove, you eliminate in order to make the work visible. Even those pages you remove somehow remain. There is a difference between a book of two hundred pages which is the result of an original eight hundred pages. The six hundred pages are there. Only you don’t see them.

― Elie Wiesel

vignettes

2025-12-14 11:10[personal profile] marycatelli
marycatelli: (Default)
This week's prompt is:
island 🏝️

Anyone can join, with a 50-word creative fiction vignette in the comments. Your vignette does not have to include the prompt term. Any (G or PG) definition of the word can be used.

(no subject)

2025-12-14 10:37[personal profile] skygiants
skygiants: Nellie Bly walking a tightrope among the stars (bravely trotted)
On a lighter Parisian note, I read my first Katherine Rundell book, Rooftoppers, which I would have ADORED at age ten but also found extremely fun at age forty!

The heroine of Rooftoppers is orphan Sophie, found floating in a cello case the English Channel after a terrible shipwreck and adopted by a charming eccentric named Charles who raises her on Shakespeare and Free Spirited Inquiry. Unfortunately the English authorities do not approve of children being raised on Shakespeare and Free Spirited Inquiry, so when they threaten to remove Sophie to an orphanage, Charles and Sophie buy themselves time by fleeing to Paris in an attempt to track down traces of Sophie's parentage.

Sophie is stubbornly convinced she might have a mother somewhere out there who survived the shipwreck! Charles is less convinced, but willing to be supportive. On account of the Authorities, however, Charles advises Sophie to stay in the hotel while he pursues the investigation -- but Sophie will not be confined! So she starts pursuing her own investigations via the hotel roof, where she rapidly collides with Matteo, an extremely feral child who claims ownership of the Paris roofs and Does Not Want want Sophie intruding.

But of course eventually Sophie wins Matteo over and is welcomed into the world of the Rooftoppers, Parisian children who have fled from orphanages in favor of leaping from spire to steeple, stealing scraps and shooting pigeons (but also sometimes befriending the pigeons) and generally making a self-sufficient sort of life for themselves in the Most Scenic Surroundings in the World. The book makes it quite clear that the Rooftoppers are often cold and hungry and smelly and the whole thing is no bed of roses, while nonetheless fully and joyously indulging in the tropey delight of secret! hyper-competent! child! rooftop! society!!

The book as a whole strikes a lovely tonal balance just on the edge of fairy tale -- everything is very technically plausible and nothing is actually magic, but also, you know, the central image of the book is a gang of rooftop Lost Kids chasing the haunting sound of cello music over the roof of the Palais de Justice. The ending I think does not make the mistake of trying to resolve too much, and overall I found it a really charming experience.
silveradept: A green cartoon dragon in the style of the Kenya animation, in a dancing pose. (Dragon)
It's December Days time again. This year, I have decided that I'm going to talk about skills and applications thereof, if for no other reason than because I am prone to both the fixed mindset and the downplaying of any skills that I might have obtained as not "real" skills because they do not fit some form of ideal.

00: Fool

The Fool, in all his forms, represents unlimited potential. The Major Arcana places him at 0, the number that requires some other number than itself to provide the context of what zero means. Zero is cyclical, and represents both start and end of journey at the same time, ready to embark upon new adventure and learn, and returning and integrating what has been gathered so that the next loop goes with more information and knowledge. Zero is the first index value, which is a thing you have to learn and remember when working with computers. Humans generally start from one when they count, because zero holds no intrinsic value to them. (Zero is actually a fairly abstract mathematical concept, despite being crucial to most operations. I think its only rival for importance and many-faceted-ness in mathematics is one.)

Unlimited potential describes infants and children very well, since their brains are in their most plastic states, learning and absorbing the world, language, society, and how to operate their bodies in space at a phenomenal rate. Eventually, that learning rate tapers off as decisions get made about what to practice and obtain skill in, sacrificing plasticity for efficiency, but it never goes away entirely. We get all kinds of "human-interest" stories in the media about someone of a somewhat advanced age picking up and obtaining great skill in a discipline that they had no knowledge or practice in not that long ago. The entire system of athletics, whether for Olympic prizes or lucrative sport contracts, starts very young and demands both skill and discipline to rise in ranks where someone might challenge for those same athlons. And in other tracks, we see stories all about smart people doing smart things (and a fair number of stories about smart people doing things they believe are smart, but have consequences that are clear and obvious to people outside of their specific discipline.)

Carol Dweck, in the early 2000s, published a book called Mindset: The New Psychology of Success that introduced to us two new concepts to work with: a fixed mindset, where someone believes their intelligence is finite and there is no way of developing it further, and a growth mindset, one that believes there is development potential skills, abilities, and intelligence. This became simplified in the popular parlance and spawned a fair number of ideas about how to keep people, and especially children, out of the fixed mindset, usually centering around the idea of praising students for the effort they've put into their work rather than suggesting that they lack smarts or other fixed qualities that would make them good at things like schoolwork and the various subjects. Dweck came back to revisit these ideas with clarifications and to squash the idea that effort was the only quality that was praiseworthy in helping someone develop a growth mindset in a 2015 Education Week article. And to say that most people have a mix of fixed and growth mindsets about their skills, abilities, and applications of intelligence.

I'll say that mathematics is one of the spots where there's the easiest contrasts of fixed and growth mindsets, although there's some confounding coming from xkcd 385 that contributes to some students being steered heavily toward fixed mindsets. I mostly mention this in the context that I didn't hit my math wall until integral calculus, where I didn't fully understand how I was supposed to go about transforming an equation into forms that I could apply rules to by using the various exotic and trigonometric properties of one, as well as the occasional shuffling of various components to one side of the equation or other so that I could, again, put things into forms where rules could be applied. This makes a little more sense, because geometric proofs were the thing I disliked the most because of the way they made me go through logic and fill out what I knew from what was provided. Despite the fact that I like playing games and solving puzzles, which is the same kinds of things, just with different visuals.

But until that, and with a fair number of other subjects, I was cruising with absorption of knowledge and doing well on tests, and all was well, at least in the realms that can be measured and quantified. My second grade teacher thought I might have a learning disability, because she never saw me do work in class. She saw that the work was good and done well, but she never saw me go to work on the worksheet and finish it while she was explaining and demonstrating the concepts and procedures on the board, such that I was done and quietly reading by the time she turned back around to give us time to work on our sheets. The tests came back that my weak spot was at least one grade level above my current space, and the opportunity to pick up that I did have something affecting me was lost, because that's not what was being tested. They wouldn't have diagnosed me then, anyway, because I presented atypically for my gender presentation at the time, and there wasn't any reason to test for it. These days, I think that if someone comes back as some sort of savant or "gifted" student, you should run them through a battery to see if they have any accompanying neurospice that could cause them great grief in their future.

This ease at things that others considered difficult meant painful emotional experiences when the perfect child turned out to be human after all. And I also had at least one physical altercation in my life because I saw something as simple that someone else found difficult, and they didn't like my attitude about it. (I'm not surprised that I would have come across as arrogant about it or similar. I wasn't intending to do it that way, but I'm definitely a poster child for "What I intend and how it's received are two different things, and I'm not great at accepting that it was received differently than I intended it to be.") It makes me sensitive to the disappointment of others, and it also makes me want to avoid situations of consequence or importance, because if it's important and I fail, then the fallout is both deserved and all my fault, regardless of how the failure happened, and someone will be by to punish me for failing soon.

Dweck is trying to encourage instructors and people who are working with others to adopt the idea of the growth mindset and try to foster it in others. Not just a matter of changing feedback so that it focuses on qualities and items that can be improved or the effort put into the situation (and avoiding feedback that references fixed or intrinsic qualities like "smart"), but also providing the scaffolding and feedback that allows for growth and learning, so that the skill can be not only practiced, but practiced correctly and well. It's not enough to praise effort if the answers are still coming out wrong and there's no understanding of what's going on and where the mistakes themselves are coming from. Humans are capable of learning and doing all kinds of things, many of them remarkably complex. Instruction and repetition and refinement are generally the ways that this works, and if we're going to require all of our small humans to go to school for twelve-thirteen years of their lives, we may as well make the environment as rich in opportunities to grow as we can. (There is an entire separate post here about the ways many educational systems provide the exact opposite of this growth-rich environment, and not all of it is the fault of the instructor and the feedback they give.) While that sometimes gets tritely summed up as "Whether you think you can, or you think you can't, you're right," that reduction makes it seem much more like it's a matter of willpower rather than one of opportunity.

Many of the creative arts, and several of the scientific ones, are less about people of great inherent talent having an inspired burst and then created a masterpiece out of whole cloth using nothing more than their raw talent. Musicians rehearse, writers compose, artists have references and practice works, dancers and athletes train and practice. The skill-taste gap is real, and while some things may be easier to pick up than others, the actual limitations of the brain and body are about whether the brain can translate verbal or demonstrative instructions into body movements, and whether the body in question can perform those movements at the desired level of skill and speed. Where I think a lot of our childhood pathways fail us is that we get told early on to focus on what we're good on, and our feedback tends to be in that form. The point of the schooling system (and the university system beyond that) is to get us in a state where we can perform labor for wage, unless we are one of the lucky few capitalists where we have enough for ourselves and our work is instead making others perform labor for us for wages. Creative arts and other such pursuits might be where our desire lies, but the necessities of not starving often prevent us from fully exploring those arts and pursuits, or they twist it into something that is used for not starving instead of for exploration, practice, and attempting to grasp a little of the numinous. The messaging about doing what you do well, combined with the artificial scarcity of capitalism, can often put us in fixed mindsets about creative arts, because the standard warps from "will doing this make me feel like a fulfilled and whole human being?" to "can I do this well enough for other people to give me money so I don't starve?"

The Fool and the concept of Beginner's Mind are intertwined with each other. Approaching any situation, including existing in a body of matter, with the curiosity of someone who doesn't know anything about the situation, but is interested in learning about it, or observing it and letting it move on, is to approach something with the greatest potential for growth. By shedding as many preconceptions as possible about the thing being approached, the full realm of possibility opens up before you. Admittedly, sometimes conceptions of things come with experience, and that's useful to bring in. Not approaching something with an expectation of how it will turn out, but being prepared in case it does go a way that you have experienced before. Zen, and its famed koans, and much of the practice of it revels in contradiction. Practicing meditation is so that you can get to where you already are. Sitting and observing the world as it goes by, without chasing after any one thing, lets the mind realize the impermanence of all things, the great constructions that take place within our very selves. Knowing about it makes it easier to jettison the whole thing and to practice approaching each moment of life as it is, rather than what it will be, or what it was, and without the structure of preconceptions clouding reality. It always seems impossible until it is done, and Zen tends to work toward the sharp flash of insight when it stops being a theoretical and starts being a practical. In response to another person saying they wanted to become a monk to "deepen their practice," a monk starts laughing and says the person seeking to become a monk already is one, and that there is no deeper to the practice of Zen, just the one level. The one, seemingly-impossible-until-insight level.

We see breakthroughs like this happen all the time with small ones and ourselves. It doesn't make sense, it doesn't make sense, it doesn't make sense, and then it does. With enough time, practice, and instruction, some things that were thought to be limits aren't, and it's not that the person is stupid, it's that they didn't have the right frame to work with. Or not enough opportunity to practice and refine. Or a low-stakes situation where they could get over the anxiety about it needing to be perfect or sale-worthy and instead focus on doing the actual practice.

There are going to be limits, where some things just won't happen, or be comprehensible, no matter how much good instruction and practice we get. I suspect, however, that most people don't actually reach their true limits on most things in their lives, because they don't get the opportunity to see where those true limits are. Many of the stories that appear in this and other series where I talk about myself are stories where I thought I wasn't "good at" something, but I could practice it and approach it in a Fool-ish way, and now it's (marginally) better than it was before. Because of the experiences my brain has had around praise and punishment, saying I have expertise in things is unlikely, but demonstrating that I have it is routine. And it's tempting to have a fixed mindset about things that are difficult, because I spent so much of my life with things that were not difficult to me. Letting myself overgeneralize into the belief that I used all my skill points on these things and there are none left over for anything else is an easier thing to believe, rather than it being a matter of time and practice. You'd think that being an information professional, where the formal training you go through is much more about learning underlying concepts and methods that then get put to use in specific situations, would make it easier for me to recognize and dismiss the fixed mindset, but, alas, brains. The best I can do is continue to be a Fool when I recognize the need for it.

Doone

2025-12-14 14:26[personal profile] poliphilo
poliphilo: (Default)
 Doone turned up in my dreams- not the woman herself but just her name. It was attached (in the dream) to someone rather different.

As a first name it is possibly unique. And I have remembered it right. It's Doone (as in Lorna). It may have been a stage name because Doone was a dancer. A professional dancer- who performed in Monte Carlo- where she met Leonide Massine- and in the chorus line of the London production of My Fair Lady.

She lived next door when I was in my teens. She had a husband called Gervaise. My parents didn't care for him, though they had them both over to dinner once; they thought he was a bit of a wide boy. They might even have used the word "spiv".

I looked Doone and Gervais up on line. and found a brief notice of their marriage. After that Gervaise fades from the record, even though he is described as a writer. Maybe he did write but never published. Doone, though, carries on. She had three children after the time I knew her, one called Lorna (of course), one who became a businessman and a third who is currently rector of a parish in Bexhill- just up the road from here. This parsonical son is the kind of Christian who thinks Tai Chi is of the devil.  Doone herself went on to become a mainstay of a local community theatre. She was alive in 2013- and will have turned 90 if she's still around. 

Doone matters to me because she was one of the few adults to take notice of me at a time when I was isolated and lonely. Also because she involved me briefly in am dram and gifted me with the role that represents the peak of my acting career- having me deliver Jacques speech on the Seven Ages of Man- that great essay on Mutability- from the stage of the village hall. I can still- though now positioned somewhere between the fifth and sixth age- recite most of it by heart. 
siderea: (Default)
Canonical link: https://siderea.dreamwidth.org/1891517.html


This is part of Understanding Health Insurance





The Three-Stage Model



When you have health insurance, you have a contract (health plan) with the insurance company that says that for the duration (the plan year) of the contract, you will pay them the agreed upon monthly fee every month (the premium), in exchange for them paying for your health care... some.

How much is "some"? Well, that depends.

To understand what it depends on, you have to understand the three-stage model that health plans are organized around.

This three-stage model is never described as such. It is implicit in the standard terms (jargon) of the health insurance industry, and it is never made explicit. There is no industry term (jargon) for the model itself. There are no terms (jargon) for the three stages. But health insurance becomes vastly easier to understand if you think about it in terms of the three-stage model that is hiding in just about every health plan's terms (agreements).

Read more: 12,170 (sic!) riveting words about health insurance in the US] )

This post brought to you by the 221 readers who funded my writing it – thank you all so much! You can see who they are at my Patreon page. If you're not one of them, and would be willing to chip in so I can write more things like this, please do so there.

Please leave comments on the Comment Catcher comment, instead of the main body of the post – unless you are commenting to get a copy of the post sent to you in email through the notification system, then go ahead and comment on it directly. Thanks!
antisoppist: (Christmas)
Didn't I tell you," answered Mr Beaver, "that she'd made it always winter and never Christmas? Didn't I tell you? Well come and see!"

And then they were all at the top and did see. It was a sledge and it was reindeer with bells on their harness. But they were far bigger than the Witch's reindeer and they were not white but brown. And on the sledege sat a person whom everyone knew the moment they set eyes on him. He was a huge man in a bright red robe (bright as hollyberries) with a hood that had fur inside it and a great white beard that fell like a foamy waterfall over his chest. Everyone knew him because, though you see people of his sort only in Narnia, you see pictures of them and hear them talked about even in our world - the world on this side of the wardrobe door. But when you really see them in Narnia it's rather different. Some of the pictures of Father Christmas in our world make him look only funny and jolly. But now that the childred actually stood looking at him they didn't find it quite like that. He was so big and so glad and so real, that they all became quite still. They felt glad but also solemn.
mdlbear: blue fractal bear with text "since 2002" (Default)

Not a great week. Started out well, with cat cuddles and walks Sunday and Monday mornings. Then came my GP appointment.

CW: medical, whingeing. Since April or therabouts, my "GP" is a clinic with a handful of doctors and a bunch of assistants. It took me a while (months) to finally figure this out. Anyway, Carmen -- the assistant I saw on Monday -- couldn't find my lab results from 20 November. Fortunately I'd asked for a printout at my previous appointment, so I scanned that and sent it by email. I got my BP meds changed somewhat. Then labs on Wednesday.

Of course, I was supposed to be fasting, so that was a bust. And I picked up my re-filled prescriptions (the pharmacy is across the street), but there was one missing. So I went in again for labs on Thursday, and they couldn't find a vein. WTF? They advised me to try at the hospital. Labs at HagaZiekenhuis require an appointment, but fortunately I already had an appointment, following up on my anemia. So that was Friday. Skipped breakfast, went in, handed them both lab forms, one stick and done. And their website works, so I got to see the results ahead of the appointment next week.

Oh yeah, I also had a psych appointment Thursday afternoon, to discuss antidepressants, which actually went well. I really don't have any idea how to make use of therapy, but I like talking about myself, my problems, and my family. Follow-up in two weeks.

Then yesterday I tried attending Festival of the Living Rooms, the quarterly online filk con that started almost by accident during Covid. But instead of using the Zoom app, which just works, they insisted on going through the web app embedded on their shiny new website. Calling it beta quality is being generous. FotLR may have jumped the shark this time.

Naturally I didn't get much done otherwise, although I did go back and look at the scratch tracks I'd recorded for my next album, Amethyst Rose. Um... They were recorded between 2004 and 2010! WTF? I'll have to see whether anything can be rescued from that debacle.

Enough griping. Links! How about Grooming a Giant Rescue Maine Coon Cat? And Monday's APOD, Flying Over the Earth at Night, a time-lapse from the ISS. Particularly noteworthy for the footage of the Aurora Australis starting at 1:20

If you have lots of free time, take a look at WikiFlix. CONTENT WARNING: very deep rabbit hole full of old movies.

And finally, because of the season and because it's incredibly cool, here's The Ukrainian Origin of “Carol of the Bells” | The Story of Shchedryk (Щедрик). Turns out the tune was taken from an old New Year's Day chant, from back when New Years Day was celebrated on Beltane. Better, here's the Original Ukrainian Version, sung first in a pretty littleral English translation (with Ukranian subtitles!), then in Ukranian. And best of all, here's a Remix by the B&B project for bandura and button accordion.

Notes & links, as usual )

brainwane: My smiling face, including a small gold bindi (Default)
Happened across this Bluesky post embedding a TikTok of a vid about Al Gore "losing" the 2000 election to George W. Bush, set to a Sabrina Carpenter song. Enjoyed and wanted to share.
tinny: Something Else holding up its colorful drawing - "be different" (Default)

[community profile] retro_icontest - Blast From The Past Icontests - is once more embarking on
The Icon Quest
Are you ready to ride? Pack your satchel of art supplies and join us in another round of the Icon Quest!



Looking for more places to make icons? Here is the list of currently active iconmaking communities on dw: https://icontalking.dreamwidth.org/46317.html
goodbyebird: Batwoman: kate and Renee share a kiss. (C ∞ Kate and Renee)
❄️ ❄️ ❄️ ❄️
Rec-cember Day 14


Bound
Devil Never Saw the Likes of Us by [archiveofourown.org profile] scioscribe (2,958 words). Never was I ever not a Tilly fangirl, and Bound is just one of those movies I love to bits. This fic absolutely nails them.
It started right on their doorstep. Violet got out of bed Saturday morning and tugged a silk bathrobe up over her shoulders.

It was new. Almost everything she had with her had been bought since they’d left the city, but this was so new she’d had to snap the tags off it before she pulled it on. It had this swirly peacock pattern on it, like streaks of paint, and paint felt sort of like their lucky charm.

She wasn’t much of a cook, but she could add water to a mix like anybody else, and she decided to make blueberry muffins. She liked the little pastel-and-foil cups you put them in to bake: everything had its own little splotch of color. The old apartment had been nothing but black and white and steel, lifeless and cold. This place—their place—was different.

She was just sliding the tray in the oven when she heard the knock.
muccamukk: Steve standing with his arms folded, looking disapproving. (Avengers: Judgy Arms)
Eighty years before this year, WWII ended.

Eighty years before WWII ended, the American Civil War ended.

So we are as far away from (or as close to) WWII, as the people in WWII were from (or to) the Civil War.

IDK, it's interesting to think about. Something Elizabeth Samet has written about, a bit, too.

I only wrote a very short version of that fic where Steve Rogers was a civil war vet, who was frozen until Tony from Iron Man Noir found him, but I was always fond of that idea.
elisem: (Default)
 Um.

I tried to write an intro for this, but all I can do is gesture incoherently. No, I wasn't a Baldy, I wasn't a skinhead, but the milieu affected my life for Reasons.  If you watch this documentary it may give you a better understanding of (some of) what made Minneapolis in the 80s what it was. Or maybe you were there too, and this will be an interesting tour of byegone days.

I really want to get together and share stories of those times. For now, here, have a pretty good documentary:

https://www.youtube.com/watch?app=desktop&v=8BSDZ1DIEIQ
sonia: Quilted wall-hanging (Default)
I don't email much with my mother, but not too long after I had cataract surgery, I heard she was nervous about having hers, so I wrote it up for her. Maybe this will be useful for someone else too.

It makes sense to be worried about any surgery, but this one is well-understood, superficial in the body, and the surgeons are well-practiced.

Barely more fuss than going to the dentist )

I hope your surgeries go well and that you're happy with the correction you choose.

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