
This all-new Heavy Gear 4E Bundle presents the current (2023) Fourth Edition of Heavy Gear, Dream Pod 9's tabletop roleplaying game of mecha combat in the 62nd Century.
Bundle of Holding: Heavy Gear RPG 4E

However, I can never go back to that particular restaurant again.
I had an extremely delightful waitress and then ABSOLUTELY FORGOT HOW MATH WORKED and ended up accidentally giving her a tiny tip. Like, seriously, I got home and I was like, "Oh, shit. That was two dollars!!" Even typing this is making me blush furiously. I probably should have gone back when I realized what I did and brought her a wad of cash? Instead, I was just like, "Whelp, I can never go back there." I will live with the shame forever.
Otherwise, I spent the rainy day doing a lot of fic writing. In the process of setting up this new computer, I uncovered a cache of stuff that I'd written years ago, but never posted on AO3. It's Bleach stuff, so none of you care, and that is fine. It was funny because one of the things that Nick and I have in common is anime. As we were winding down our conversation at the restaurant that I have barred myself from for life, he guiltily admitted to me that he tried to watch Bleach and just couldn't see the appeal. When people tell me this, all I have to say is, "Yes." If pressed, I could probably explain what about it made me fall into it SO hard, but I also fully recognize that, in many ways, my attachment to this anime/manga was kind of a fluke. It just hit the right buttons for me me at the right time in my life. I fully understand when people give me the "??" look about Bleach and say, "Isn't that just some dumb fighting manga?" I mean, yes? What can I say?
Nel applies her enthusiasm to sitting at Haribel's side.
And I just-this-minute finished Alison Bechdel's latest book, Spent, so let's talk about that briefly.
As far as I can tell, Bechdel only writes books that are at least somewhat autobiographical -- it's what she made her name for (with Fun Home), and this is the fourth book I have from her that is at least kinda-sorta about herself.
(Even Dykes to Watch Our For was, as far as I could ever tell, about the folks in her crowd, with a protagonist who was a thinly-veiled version of herself.)
In this case, the "kinda-sorta" is carrying some weight. It's about a writer named Alison Bechdel, who runs a goat farm in Vermont with her partner Holly, and who is famous for her graphic novel Death and Taxidermy (which is about her father the taxidermist, who went to jail and then ironically died from poisoning by a reptile); the book has been made into a major television series, and she is wrestling with the complications from that.
And now the folks who know Bechdel and Fun Home are going, "Wait -- what?"
Spent is an impressively meta novel: a full-length musing on capitalism and its effect on community, as told through the lens of an Alison who is conspicuously not quite the Alison of our world, who is trying to write a book (podcast? TV show?) called $um, which is to be a full-length musing on capitalism and its effect on community.
Like most of her books, don't expect crisp structure: it has a fairly broad cast of characters, all painted as messy real people dealing with life. The many plot threads wander along, not all with tidy resolutions. And like all of her books, it's all told with a dry and always self-deprecating humor.
But also like all of her books, it's about something: in this case, the weird ways in which the modern world warps us. There's a pervasive anti-capitalist theme, but she mostly avoids preaching directly. Some of the characters preach (usually in appropriate ways), but the story doesn't shy away from the messiness of the subject, and how hard it is to avoid getting sucked into the "must make All the Money" mindset. Book-Alison is notably hypocritcal on the topic, and that annoys her no end.
Personally, I liked this one more than anything since Fun Home itself: by taking a step away from real life, she enables herself to really have fun with the characters (who I assume are all adapted from actual friends of hers). The theme is more direct than in something like her real autobiography The Secret to Superhuman Strength, and she probes at it in lots of different directions.
And at times, she gets to just roll her eyes at how dumb life can be. (The book ends with the viewing party for the truly idiotic series ending of the TV Death and Taxidermy.)
Good stuff -- it's not going to dislodge Fun Home as her best book, but it's a solidly excellent, fun, thought-provoking read. If you like her other work, odds are you'll like this one quite a bit.
I finished Octavia Butler's Parable of the Talents a couple of weeks ago.
More precisely, I finished the graphic novel adaptation by Damian Duffy, John Jennings, and David Brame, which is how I also read Parable of the Sower and Kindred -- yes, I'm a comics nerd.
So let's do a quick review of it -- really, of both the Parable books.
These novels are set in the US right around now. Given that they were written a couple of decades ago, they're uncomfortably right in some ways, although they put the lie to the common meme that we are living in the darkest timeline -- Butler posits one that is markedly worse in degree, if not always in kind.
It's a world where civil society has been gradually fracturing: not just red state vs blue state (which is only marginally a concern), more one where the poor are getting even poorer, with echoes of Great Depression Oklahoma. Outside the gated communities of the wealthy (who are somewhat deliberately ignorant of how bad it's getting out there), mass violence is getting downright common, with the small enclaves of the have-nots getting regularly raided and burned down.
Our primary protagonist is Lauren Oya Olamina. The one tiny bit of actual science fiction here is that, due to side-effects of the previous generation's medical procedures, Olamina was born a "sharer" -- she has an extreme and barely-controllable form of empathy, such that she feels intensely the joys and pains of anyone she can see.
The first book, Parable of the Sower, is the story of Olamina's upbringing -- raised in a somewhat healthy but moderately poor community, which is shattered by mob violence in her youth. She winds up out on the road (those strong Great Depression vibes), before eventually founding a small intentional community up north.
Along the way, she winds up becoming essentially a religious leader, founding the Earthseed. I confess, I adore Earthseed as a religion -- it speaks to me in many of the ways that classic Buddhism does. Its main tenet is literally that "God is Change": the world is ever-changing, that is the nature of the world, and we need to work with it. (Its other main tenet is that humanity must spread to the stars; I'll admit that Elon Musk has somewhat ruined that bit for me.)
Book two, Parable of the Talents, opens with Olamina in 2032, now just barely adult, leading the community of Acorn as it slowly grows, adopting new families. (Most of whom are fleeing violence elsewhere.) She has married the much-older (but generally good) man who owned the land, and things are good for a while -- but they can't entirely escape the growing darkness outside.
The second half of Talents winds up even darker than Sower, as the growing Christo-Fascism that has swept the US finally comes for them, killing some of the members of Acorn and enslaving others. (Olamina, like Butler, is black, and slavery is a common trope through her work.) The story winds up focusing on her very-literal fight for freedom, and her long search for the daughter who was ripped away from her.
Talents is narrated by that daughter, many years later, and suffice it to say her own feelings are complicated as hell. It's unambiguous from the outset that they don't get a straightforward happy ending together -- the reasons why are threaded through the book, an example of how parents can't count on a loving relationship with their children, despite their best intentions.
The story, overall, is brutal. It's an honest but harsh look at societal breakdown -- a bit of how that happens, but mostly just what it feels like on the ground as your world crumbles around you.
It's not entirely bleak, but it's a hard lesson on the necessity of the important things like family, community, mutual support and having some reason to carry on.
Olamina isn't presented as a model to simply emulate -- that's the brilliance of having her life narrated by her daughter Asha, whose dislike for her mother is quite visceral. That, in turn, is moderated by the fact that the book is mostly Olamina's own diary entries, interspersed with short passages from The Book of Earthseed -- as a result, you get a running counterpoint of Olamina's internal story with the way that it looks to her estranged daughter many years later.
The graphic novel treatment suits the story. It's not at all pretty -- the art is sharp, angular, a bit rough in a way that feels authentically Black (at least to my poorly-educated eye), but always expressive as all hell.
I suspect the text in there is at least somewhat abridged (graphic novel adaptations usually are), but I'm genuinely unsure: this is a pretty text-heavy GN, and not a quick read. I spent a couple of weeks on it, a bit at a time -- it's intense stuff, and not something I wanted to read at a sitting.
In summary, this is just about the furthest thing one can get from brain candy. It's a hard book, and is really not at all fun, but it's a rewarding read, the sort of story that leaves you feeling a bit better armored for the ways that things could go if the timeline really does turn even darker.
Highly recommended, in either the text or graphic novel form. But find a time when you can cope with reading about true darkness.
Oh, this looks neat: https://structural.chat.
This is the latest product from the Unison team (two of whom I knew from the Scala world back before they founded Unison).
Haven't read my way through the papers yet, but the (very reasonable-sounding) theory seems to be that LLMs are actually a pretty lousy way to build chatbots -- they're achingly slow, non-deterministic, and dangerous from a security POV.
They've instead come up with a non-"AI" technology that provides a similar look-and-feel, but is lightning-fast and deterministic, so it works Just Plain Better.
Very cool, and very much a product for our times. I look forward to digging into how it works...
Mixed. On the upside, the IND extended our residence permits another five years, to 2031. (See Monday for details.) That's a relief from a huge batch of worries. And the EU has invited Canada to become first ever ‘associate member’, although the details of that are still unfinalized and nothing has been signed yet. The EU has also determined that ChatGPT Is a Search Engine, which puts it in the same regulatory category as Google et. al. without having to pass any new legislation.
Also on the up side, I posted Mind the Gap in GoingSideways.blog, about why we haven't posted anything for the last two years.
On the the other hand, I still have to worry about what's going on in the US, especially for my oldest kid, R, who's both trans and unemployed. And I only took three short walks.
And on the gripping hand (appropriately) my trigger fingers and my right shoulder have all gotten worse, despite exercises, drugs, and (in the case of the hands) compression gloves. Which help, especially at night. But I have to remember to put them on at bed-time, which still I'm very inconsistent about. I came very close to calling the after-hours / weekend urgent care line about the shoulder, which suddenly got worse Friday night, but it's improved enough for me to wait until tomorrow.
My hands and shoulders have gotten bad enough to make playing guitar difficult, and I haven't been practicing at all for most of the last several months. Although it's not clear which is the cause and which the effect. Which makes me down on myself, which doesn't help.
Linkies:

This is a fine example of my concerns about the dangers of AI.
Many people freak out about "the bots are going to take over the world!" I'm dubious -- that's panicking about a scenario that doesn't have a clear road to get there.
This, on the other hand -- AI accidentally sparking a war that could potentially go nuclear -- has been the more-valid worry for literally 40 years, and the DoD seems to be speeding straight towards it.
(Can you say Torment Nexus, boys and girls?)
I've been saying over and over this year that somebody needs to remake the movie WarGames. (Details here if you haven't seen it.) It's dated in many ways, but the high concept was prescient, and we're living in it now...

Which of these look interesting?
Hide and Seek by Erin Ampersand (February 2027)
11 (32.4%)
The Witching of Katharine Ward by Gemma Bowen (August 2027)
8 (23.5%)
Strange New Thoughts by Geoff Shullenberger (August 2027)
11 (32.4%)
Some other option (see comments)
2 (5.9%)
Cats!
30 (88.2%)

I think what's wrong with Rouxls Kaard is that the rules card never gets used in card games, so he's spent a lot of time being the 53rd wheel and is a bit desperate to be included.
Elnino and Lanina might have so much relationship drama because El Niño and La Niña are alternating phases of a climate phenomenon.
I'm a little concerned that we gave away Tenna and potentially kept his remote, but his new Lightner seems to have no trouble enjoying him, so it's probably fine.
I don't think Ralsei is Kris's knife because there are lots of knives that come in pink, or green, or have cute novelty patterns, or such. Kris could have one of those – maybe not one of the really expensive ones, but it wouldn't shock me to hear that Toriel or Asgore got one of those cutesy nonstick kitchen knife sets. But Kris doesn't have a cute knife, or a pink knife, or a green knife, or even a sheath with any of those qualities, and yet Ralsei is cute and wears pink and green anyway.