The spark for the post:
this article on a 1981 LEGO ad aimed at girls in a not-condescending or gendered way, compared with their new gendered toys ("You can report on cake!")
The substance of the post: talking about an anime series that's slowly grown into one of my biggest fandom obsessions right now, despite its flaws. There should be a word for that, when you know something isn't great but you're really into it anyway.
(After years of occasional vague fanfic ideas for various fandoms, I've actually finally put fanfic ideas to keyboard for this fandom; no I'm not going to show them to anyone yet, it's like my first fiction ever, almost.)
The connection between the two is one of the things I like about it. The article talks about the new LEGO TV van toy, with a female figure reporting on cake and a male figure as camera operator. "Technical stuff is hard!" I thought about toys where the reporter and operator were both female, and then I thought about Nanoha because that's pretty much true there. It's not a series where
everyone is female but it's pushing the line. Female roles:
( Read more... )***
Oh hey, maybe I should say something like what it's about. It starts out looking like a standard magical girl show: girl in Tokyo runs across an animal mentor who teaches her magic which she uses to catch loose Jewel Seeds before they wreck her city. It sounds, and for that matter looks, a lot like Card Captor Sakura.
[girl on our left is Sakura, girl on our right is Nanoha. You may notice some similarities.]
Except there's a blink-and-you-miss-it mention of programs, and the viewers now the animal mentor is actually a boy. Or had a boy form, anyway. That's unusual.
Even more unusually, "transformed boy living with a girl" isn't played up for the sitcom laughs it might be. Yuuno gets a couple embarrassed moments but that's it; even when Nanoha finds out, she quickly recovers and is fine with him still living in her room. They *are* 9, after all.
It may be the only magical girl show where our heroine runs from the cops because of all the property damage she's just been party to.
It's also fun watching her progress from "can't use magic" to "can't fly" to "flies like a chicken" to "okay, that was cool". Particularly stage three; I'm not used to seeing heroes progress methodically through stages of sucking less.
The opening alone spoils us for there being two magical girls, one dark (clothing, not skin; no skin color diversity points here, except for the very brown Zafira but he's not human at all), and they're fighting a lot, and I'm told that's unusual; the show is even the trope codifier for Dark Magical Girl. (Also for many other tropes.) It certainly isn't the Sakura mode, nor I think the Sailor Moon mode.
Still, like I said, the pacing at first isn't great, but then Everything Changes, and I don't want to talk about that because I hope to get to watch someone as the change hits. Kind of like "you should watch Madoka no I can't tell you why just watch it through episode 3, okay?"
There's also summary movie versions of the first two series. I've seen people recommend watching the first movie and then the second series, A's, as pretty much all fans agree the second series is the high point of the series: solid pacing, best characters, fewest problematic elements. A's was actually my entry point, which might be why I'm so attached; I think of the franchise as "this really cool thing, plus that other stuff I can mine for ideas."
Man, I feel like I rambled. I hope someone got osmething interesting out of this.
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png){kind=small}
questionoftheday asks: Is there a fictional world that feels like your home away from home? What is it and why does it appeal so much to you?
